Rodney Anderson, Marcelo Barbero, Armando Benutto, Stuart Bousel, Jan Brown, Danica Burt, Lila Butler, Wendy Chang, Frank Chow, Kathy Dere, Martin Dias, Dave Doering, Jonathan Drogin, Bill Flanagan, Christine Ford, Jorge Gonzalez-Rodriguez, Chip Heath, Kate Juliana, Elaine Kawasaki, Kathleen Keeler, Eileen Keremitsis, Helen Kim, Ryszard Koprowski, Chris Largent, Bill Laschuk, Sharon Lee, Leland Leong, Jing Bentley, Marilyn Duran, Kyle Minor, Randall Wesley, Dale Whitmill, Patron Services Personnel Front of House Roberto Bonilla, Phone Room Sales Manager, Subscriber Representativeīeverlee G. Jennifer Pollack, Group Sales Manager, Assistant TreasurerĬharles McGraw, Christopher Mark, Assistant TreasurerĮmily Tilles, Subscriptions Manager, Assistant Treasurer Rebecca Page, Medallion Society Concierge Manager, Assistant Box Office Manager Jessica Fauver, Box Office Manager, Treasurer Sophia Nguyen, Marketing Coordinator, Brand & Loyalty Box Office Katy Zolfaghari, Creative Project Manager Jennifer Fingal, Manager, Brand and LoyaltyĪlyssa Feskanin, Email and Digital Marketing Manager Troy Smith, Interim Director of MarketingĬhi-Hsuan Yang, Associate Director of Analytics and Strategy Markus Beam, General Manager, San Francisco Opera CenterĮsther de Monteflores, Opera Center Coordinator Lynne Soffer, English Diction San Francisco Opera CenterĬarrie-Ann Matheson, Artistic Director, San Francisco Opera Center Rachael Smith, Artistic Assistant Music StaffĬésar Cañón, John Churchwell, Dennis Doubin, Patrick Furrer, Alden Gatt, José Luis Gutiérrez, Bryndon Hassman, Noah Lindquist, Geoffrey Loff, Vito Lombardi, William Long, Robert Mollicone, Matthew Piatt, Laura Poe, Kseniia Polstiankina Barrad, Blair Salter, Tamara Sanikidze, Peter Walsh, Maureen Zoltek Valentina Simi, Artist Services Coordinatorĭevin Hinzo, Artistic Operations & Technology Coordinator Michael Bragg, Music Planning Associate and Opera Librarian Ilana Rainero-de Haan, Music Planning Manager
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The creation of the Koret Media Suite and launch of OperaVision are among Gockley's electronic media plans for San Francisco Opera those plans also include the company's recent return to local and international radio airwaves after an absence of over twenty-five years and free simulcasts around the Bay Area.Zackery Hayhurst, Artistic Planning Manager HGO's OperaVision is comprised of six plasma and projection screens, located in limited-view sections of the Grand Tier and balcony sections, which provide the audience in those areas with close-up views of onstage action and musicians. San Francisco's OperaVision is similar to the program of the same name which Gockley inaugurated in fall 2001 at Houston Grand Opera (where he was general director at the time).
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OperaVision aims to offer the chance for balcony audiences to "experience opera with a goal of bringing them the best of both worlds: the acclaimed acoustics of the War Memorial Opera House balcony and a prime orchestra seat perspective of the stage."īalcony seats often do not allow patrons to see the full depth of the stage: OperaVision screens will address that problem by providing full stage, close-up and mid-range ensemble shots in high-definition video, with supertitles, on two 5½' x 9½' retractable screens hung from the ceiling of the auditorium. The new facility also incorporates a program called OperaVision, which debuts at tomorrow night's Don Giovanni, the opening performance of the company's 2007 summer season. The suite also includes on-site video and audio post-production facilities these will allow the company to produce and edit radio broadcasts in-house and to expanded podcasting, live streaming and DVD production. Located on the fifth floor of the War Memorial Opera House, the Koret Media Suite enables San Francisco Opera to generate a live high-definition, multi-camera audio and video feed of onstage performances for many uses, including simulcasts.